Alien Nation

Alien Nation

Kenneth Johnson

  • Genre: Sci-Fi & Fantasy, Action & Adventure, Drama
  • Release Date: 1989-09-18
  • Advisory Rating: 16
  • Episodes: 22
  • Seasons: 1
7.0 /10

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0.0
From 138 Ratings

Description

Detective Matthew Sikes, a Los Angeles police officer reluctantly works with "Newcomer" alien George Francisco. Sikes also has an 'on again off again' flirtation with a female Newcomer, Cathy Frankel.

Episodes

Title Time Price
1 Season 1 22 1989-09-18 Season Only 1

Trailer

Reviews

  • misubisu

    9
    By misubisu
    **Score: 9/10 — A Pioneering, Profound, and Perfectly Portrayed Sci-Fi Masterpiece**

    *Alien Nation* is that rare gem: a television sequel that not only honours its source film but deepens, enriches, and transcends it. Premiering in 1989, this series was decades ahead of its time, using the brilliant, high-concept premise of alien integration as a flawless lens to examine the most pressing and permanent human issues. It is a **grossly overlooked** classic that deserves to be ranked among the greats of socially conscious science fiction.

    **A Seamless, Superior Continuation:**

    The transition from James Caan's film detective to **Gary Graham's Matthew Sikes** was a masterstroke. Graham was **perfectly cast**, bringing a more nuanced, world-weary, yet open-hearted humanity to the role. His **chemistry with Eric Pierpoint's George Francisco was second to none**—a partnership built on growing respect, clashing perspectives, and a profound, unshakeable loyalty. Their dynamic was the show's beating heart, a buddy-cop blueprint elevated by genuine dramatic heft.

    **The "Perfectly Portrayed" Premise:**

    The show’s enduring genius lies in its execution. Its depiction wasn't just good; it was scrupulously thoughtful and consistent.

    * **Co-existence:** The daily reality of the "Newcomers" in Los Angeles—their jobs, their homes, their attempts to blend or maintain their culture—was rendered with tangible, lived-in detail.
    * **Relationships:** From the deep friendship of Sikes and Francisco to the complex, beautiful human-alien romance of Sikes and Cathy (the superb Terri Treas), these connections were treated with absolute sincerity and emotional truth, never as gimmicks.
    * **Speciesism (Alienism):** The prejudice faced by the Newcomers was the show's central, unflinching focus. It mirrored real-world bigotry with startling clarity, exploring it on systemic, violent, and casually personal levels.
    * **Political & Social Issues:** Every episode was a compelling sci-fi parable for issues like immigration, racism, addiction, terrorism, and assimilation. It was never preachy, always letting the powerful allegory speak through its engrossing police procedurals.

    **Legacy and Resolution:**

    While the series was tragically **cut short by network cancellation, leaving a myriad of unexplained situations**, its passionate fanbase was rewarded. The subsequent **series of five tele-movies** (1994-1997) provided the necessary closure, tying up arcs and delivering the emotional payoff the characters and audience deserved. This completed the journey, making *Alien Nation* a rare example of a franchise that got to finish its story **cleanly and brilliantly**.

    **The Verdict:**

    From its bold movie to its groundbreaking single season to its satisfying movie sequels, *Alien Nation* is a complete, brilliant triumph. It is a masterpiece of world-building, character-driven drama, and social commentary disguised as a police procedural. Gary Graham and Eric Pierpoint delivered one of television's finest partnerships. It earns its **9/10** for its fearless intelligence, its emotional depth, and its timeless, humane vision. To overlook it is to miss one of sci-fi television's most important and rewarding treasures.

    **Watch if:** You love intelligent sci-fi, social allegory, perfect buddy-cop dynamics, and deeply developed alien world-building.
    **Skip if:** You require non-stop action or prefer your science fiction devoid of earthly politics. This is thoughtful, character-first storytelling of the highest order.

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